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Fedor Rokotov Lady in a White Cap. oil painting


Lady in a White Cap.
Painting ID::  60604
Fedor Rokotov
Lady in a White Cap.
Lady in a White Cap. 1790s

   
   
     

Fedor Rokotov Portrait of Nathalie Petrovna Golitsyn in a white cap oil painting


Portrait of Nathalie Petrovna Golitsyn in a white cap
Painting ID::  75760
Fedor Rokotov
Portrait of Nathalie Petrovna Golitsyn in a white cap
1790s Oil on canvas cjr

   
   
     

Fedor Rokotov Portrait of Anna Yuryevna Kvashnina Samarina oil painting


Portrait of Anna Yuryevna Kvashnina Samarina
Painting ID::  80386
Fedor Rokotov
Portrait of Anna Yuryevna Kvashnina Samarina
1770s Medium Oil on canvas cyf

   
   
     

Fedor Rokotov Grand Duke Constantine Pavlovich of Russia oil painting


Grand Duke Constantine Pavlovich of Russia
Painting ID::  81935
Fedor Rokotov
Grand Duke Constantine Pavlovich of Russia


   
   
     

Fedor Rokotov Portrait of an Unknown Woman in a Blue Dress with Yellow Trimmings oil painting


Portrait of an Unknown Woman in a Blue Dress with Yellow Trimmings
Painting ID::  86089
Fedor Rokotov
Portrait of an Unknown Woman in a Blue Dress with Yellow Trimmings
1760s. Oil on canvas. The Tretyakov Gallery, Moscow, Russia. Date 1760s cyf

   
   
     

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     Fedor Rokotov
     Russian Painter, ca.1735-1808 Fyodor Stepanovich Rokotov (Fedor Rokotov) (Russian: ?????????? ??????????́?????????? ????́??????????) (1736?C1809) was a distinguished Russian painter who specialized in portraits. Fyodor Rokotov was born into a family of peasant serfs, belonging to the Repnins. Much in his biography is obscure. He studied art in Saint Petersburg Academy of Arts. After buying back his freedom in the end of 1750s he became established as a fashionable painter. In 1765, Rokotov was elected an Academician, but he did not work as a professor in the Academy long, because it interfered with his painting. He returned to Moscow in 1765, where he lived for the rest of his life. He had a lot of commissions there, becoming one of the best portrait painters of his time. Among his best-known portraits are Portrait of Alexandra Struyskaya (1772), sometimes called the Russian Mona Lisa and admittedly the most celebrated piece of the 18th-century Russian painting; Portrait of Countess Elisabeth Santi (1785), and Lady in a Pink Dress (1770s, illustration, right). Rokotov avoided painting formal portraits with lots of adornments and decorations. Instead he was one of the first Russian painters advancing a psychological portrait with attention to optical and atmospheric effects.

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